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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbZustand: New. In English.
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 198 pages. French language. 9.25x5.75x0.25 inches. In Stock.
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In den WarenkorbZustand: New. KlappentextrnrnQuestions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in r.
Sprache: Englisch
Verlag: Leuven University Press Mai 2009, 2009
ISBN 10: 9058677354 ISBN 13: 9789058677358
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of studies. The various contributors address the temporal significance of specific topics such as notation, tempo, metre and rhythm within broader contexts of performance, composition, aesthetics and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. With contributions by: Bruce Brubaker, Pascal Decroupet, Mark Delaere, Justin London, Ian Pace.