EUR 13,05
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Overseas Publishers Association / G&B Arts International, London, 2003
ISBN 10: 9057010437 ISBN 13: 9789057010439
Anbieter: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, USA
Zustand: Very good +. A critical history of appropriation as an artistic paradigm. Pictorial wraps. Includes index. Illustrated in black and white. Light edgewear, some creasing to corners.
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: Good. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges and a slip insert attached to the preliminary pages. Book shows shelf & handling wear, including edge wear. Pages are worn on their edges, but remain intact with unmarked text & pictures. A good reading copy.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 83,44
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 312 pages. 10.00x7.00x0.50 inches. In Stock.
EUR 56,54
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. John C. WelchmanBeginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the c.
Sprache: Englisch
Verlag: Gordon And Breach Sep 2001, 2001
ISBN 10: 9057010437 ISBN 13: 9789057010439
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, 'Art After Appropriation' suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters discuss, among other things, how the second world culture of the USSR gave rise to new visibility for photography at the Union's dissolution in 1989, and explore how genres of ethnography, documentary and travel are crossed with fictive performance and social improvisation in the videos of Steve Fagin.