Isbn: 9789042022379 - the nothing machine: the fiction of octave mirbeau (faux titre, 298, band 298) (3 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Editions Rodopi B.V., 2007

    904202237X / 9789042022379

    • Softcover

    Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com

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    Zustand: Gebraucht - Befriedigend

    EUR 72,47

    EUR 15,44 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

    Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9789042022379. …

  • Sprache: Englisch

    Verlag: BRILL, 2007

    904202237X / 9789042022379

    • Softcover
    • Erstausgabe

    Anbieter: moluna, Greven, Deutschlandmoluna

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    Zustand: Neu

    EUR 104,22

    EUR 48,99 Versand 
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    Zustand: New. In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. This work pres.

  • Sprache: Englisch

    Verlag: Brill Jan 2007, 2007

    904202237X / 9789042022379

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Zustand: Neu

    EUR 140,34

    EUR 35,00 Versand 
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    Anzahl: 2 verfügbar

    Taschenbuch. Zustand: Neu. Neuware - In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau's name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation.Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau's writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms.…