9789042014947 - The Seeing Century: Film, Vision, and Identity (Critical Studies, Band 14) (6 Ergebnisse)

Paperback. Zustand: Fine. Minor wear on the covers, corners, and the edges. Like shelf wear.

Zustand: Poor. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9042014946.

Zustand: Poor. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9042014946.

Zustand: Poor. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9042014946.

Zustand: Poor. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9042014946.

Original publisher's sewn blue paperback, title spine and frontcover, large 8vo: [viij], 210pp., [6]pp., 15 contributions, footnotes, referencesgeneral bibliography, list contributors, index. CONTRIBUTIONS: 1. Wendy Everett: Introduction From Frame to Frame: Images in Transition. 2. Phil Powrie: The 'family portrait', trauma and the punctum in Distant Voices, Still Lives [1988]. 3. Peter Wagstaff: The Dark Side of Utopia: Word, Image, and Memory in Georges Perec's Récits d'Ellis Island: histoires d'errance et d'espoir. 4. Christopher Shorley: History, Memory, and Art in Louis Malle's Au revoir, les enfants. 5. Wendy Everett: Mapping Iceland or the Identity of Space: Cold Fever. 6. Gretchen Bisplinghoff: Irish Images: Constructs of Film Space/Time. 7. Ernie Hampson: Mocking the Mafia: Ciprì and Maresco's Sicilian Apocalypse. 8. Ann Jäckel: Too Late? Recent Developments in Romanian Cinema. 9. María Camí-Vela: From 'Reespañolear' to 'Europeizar' : The Subversion of Francoist Mythology in La flor di mi secreto [The Flower of my Secret] by Pedro Almodóvar'. 10. Patrick Williams: 'Entering and leaving modernity' - Utopia and dystopia in Mambety's Touki Bouki and Hyènes. 11. Susan Hayward: Luc Besson's Cinquième élément (1997) and the Spectacular: The City-Body and the Sci-Fi movie. 12. Lorna Fitzsimmons: Of 'Broken Wall, the Burning Roof and Tower': Gyno-Turning in Limit Up and Svankmajer's Faust. 13. Elisa Bussi: Voyages and border crossings: Jane Campion's The Piano [1993]. 14. Steve Wharton: Pédés et polémiques: Faggots and Fireworks - Les Nuits fauves and its moral[ity]. 15. Raya Morag: 'Life-Taker Heart-Breaker': Mask-ulinity and/or Femininity in Full Metal Jacket. Very fine copy - as new., Volume 14: Critical Studies. A Journal of Critical Theory, Litherature & Culture.