9789004398023 - building the canon through the classics: imitation and variation in renaissance italy (1350-1580) (metaforms, band 15) (5 Ergebnisse)
- Hardcover
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Hardcover. Zustand: Very good. Cloth, no dj. Minor shelf wear. Else a bright, clean copy. Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classica…l authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
- Hardcover
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EUR 181,60
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
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EUR 178,20
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
- Erstausgabe
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EUR 184,99
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Hardcover. Zustand: New. Über den AutorEloisa Morra, Ph.D. (Harvard University, 2017) is Assistant Professor of Italian Studies at the University of Toronto and the author of Un allegro fischiettare nelle tenebre. Ritratto di Toti Scialoja (Quodlibe.
- Hardcover
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EUR 255,00
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Buch. Zustand: Neu. Neuware - Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the not…ion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
