9786055815530 - karin kneffel: haymatlos von voss, julia (8 Ergebnisse)
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Hardcover. Zustand: Brand New. 64 pages. Turkish language. 9.06x0.51x13.19 inches. In Stock.
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Buch. Zustand: Neu. Neuware - Karin Kneffel's Haymatlos reflects on memory, exile, and belonging, re-imagining works of émigré artists in Istanbul through layered paintings that question familiarity and foreignness. Text in English and Turkish and German.Published on the occasion of Karin Kneffel's exhibition Haymatlos at Dirima…rt (13 November 202017 January 2021), this trilingual catalogue explores themes of memory, displacement, and belonging. The nineteen paintings on view establish a dialogue between Germany and Turkey through the notion of heimatlosstatelessnessprobing how the past is recalled, altered, or transformed, leaving ambiguous traces in the present. Kneffel engages with the legacies of three exiled figures who lived in Istanbul: architect Bruno Taut, sculptor Rudolf Belling, and designer Margarete Schütte-Lihotzky. Their iconic worksthe Bosphorus house designed by Taut, Belling's Inönü sculpture and Skulptur 49, and Schütte-Lihotzky's pioneering Frankfurter Küchereappear under Kneffel's painterly veil of drops, bubbles, and brushstrokes, questioning whether the world is ever truly familiar. Enriched with an essay by Julia Voss, along with studio and installation views, the catalogue situates Haymatlos within Kneffel's broader practice and her celebrated retrospective STILL in Germany. Text in English and Turkish and German.
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Zustand: New. Dirimart is pleased to host Karin Kneffel's solo exhibition titled Haymatlos. Following her inaugural show in Istanbul in 2013, Haymatlos presents works that generate a dialogue between Germany and Turkey through the concept of "heimatlos": statelessness. Kneffel's paintings pry about the past to reveal how remembe…ring penetrates its foreignness by transforming it, leaving peculiar traces or by adding and removing elements from it. Kneffel's curious look delivers the illusion of living spaces that actually consist of latent, uncanny absences. Through the use of overlapping intricate details from past and present of the artist's archive of found and taken photographs, a closed-circuit world with elements interconnected appear. Seemingly realistic, the paintings obey no photographic logic of perspective and space but are constructed with deliberately added layers of illusory details. The viewers are warned not to believe in what they see in the paintings. The things you see may mislead you. The paintings may tell lies; whilst they seem like they are constructing narratives with an obsessive commitment to details, they become unreliable narrators. This is a reminiscent of Mimesis. Editors: Translator: 72 pages.
