9783960986300 - Charlotte Posenenske. Work in Progress: Ausst. Kat. Dia Art Foundation 2019, Museu d`Art Contemporani de Barcelonan2019/20 K20, Düsseldorf 2020 von Morgan, Jessica (11 Ergebnisse)

hardcover. Zustand: Very Good. Hardcover without dust jacket (as issued) in overall very good condition. Cover is clean and crisp. Pages are clean and glossy with no marks, stains or tearing, printed in B&W and color. German Edition. 269 pages. Copyright dated 2019. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described.

Zustand: New.

Hardcover. Zustand: Brand New. 01 edition. 246 pages. 10.00x7.75x1.25 inches. In Stock.

Gr.-8° cased binding. 241 pages with many illustrations. With an chronology by Matilde Guidelli-Guidi and Liz Hirsch.Small scratch on back cover,otherwise very good copy. Sprache: Englisch Gewicht in Gramm: 1100.

Hardcover. Zustand: Brand New. 01 edition. 246 pages. 10.00x7.75x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. 01 edition. 246 pages. 10.00x7.75x1.25 inches. In Stock.

Zustand: New. KlappentextrnrnThe catalogue traces the evolution of Posenenske s practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and as.

Buch. Zustand: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine WoodKönig, Walther, Dieselstraße 2, 50996 Köln 241 pp. Englisch.

Buch. Zustand: Neu. Neuware - The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood.

Buch. Zustand: Neu. Charlotte Posenenske. Work in Progress | Ausst. Kat. Dia Art Foundation 2019, Museu d`Art Contemporani de Barcelonan2019/20 K20, Düsseldorf 2020 | Jessica Morgan (u. a.) | Buch | 246 S. | Englisch | 2019 | König, Walther | EAN 9783960986300 | Verantwortliche Person für die EU: Verlag der Buchhandlung Walther König, Ehrenstr. 4, 50672 Köln, eva[dot]moeller[at]buchhandlung-walther-koenig[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch.