9783936681383 - Rob Krier, Figures. A Pictorial Journal. 2000-2002: Dtsch.-Engl. (10 Ergebnisse)

ca. 17 x 13 cm. 765 S. Original-Leinwandeinband mit Deckel- und Rückentitel. Mit Original-Schutzumschlag. Guter Zustand. Wie neu. In englischer und deutscher Sprache. Mit zahlreichen farbigen Werkabbildungen Kriers.

767 Seiten, Mit zahlreichen teils farbigen Abbildungen von Plastiken und Zeichnungen des Architekten. Mit Vita. Die Texte in deutscher und englischer Sprache, die Bildtitel nur in deutscher Sprache. Der Schutzumschlag mit einer Kratzspur und an der vorderen oberen Kante mit kräftigen Knickspuren, sonst gutes Exemplar mu Gewicht in Gramm: 1206 Original-Leinen, Original-Schutzumschlag, 13x18cm, Zustand: 3.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 768 665 Illus.

Kl.-8°, Ln. m. SU. 767 S., mit 665 überw. farb. Abb. Obere Ecke d. Vorderdeckels leicht gestaucht, sonst sehr gutes Ex. // The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted purely to its own field. In this respect, Rob Krier, born in 1938 in Grevenmacher, Luxembourg, is indeed the proverbial exception that proves the rule. Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work. Fine art could stand in dialogue with architecture and it is Krier`s ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders and move them to thoughtful reflection. In the works of Mies van der Rohe it is not rare that one finds naturalistic figures from, for example, Aristide Maillol or Wilhelm Lehmbruck -- as an anthropomorphic contrast to the strict geometry of the architecture, notes Rob Krier in the comments on his journal. If one is already aware of the realisation of his masterful architectural accomplishments through projects such as Potsdam-Kirchsteigfeld (1991 to 1997), De Resident in The Hague (1993-2001), Noorderhof in Amsterdam (1994-99), Veste Brandevoort near Helmond (since 1995), Citadel Broekpolder near Beverwijk (2000-04), or the Cite Judiciaire in Luxembourg (1992-2008) -- be assured, Krier`s artistic skills are in no way inferior to his architectural work. Quite the contrary: as a sculptor and illustrator, too, Rob Krier brings together extraordinarily musical qualities and incorporates them into his work: his bronze The Jumper was erected in Montpellier in 2004, the Cowering Woman ten years earlier on Berlin`s Friedrichstrasse, the four metre-high duo Bosch i Alsina and Papasseit on Moll de la Fusta in Barcelona in 1992. ISBN: 9783936681383 Sprache: Englisch Gewicht in Gramm: 1042.

Zustand: New. Rob Krier, born in 1938 in Grevenmacher, Luxembourg, is indeed the proverbial exception that proves the rule. Fine art could stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders. Num Pages: 768 pages, 665 illus. BIC Classification: AMB. Category: (G) General (US: Trade). Dimension: 182 x 131 x 47. Weight in Grams: 1060. . 2010. Hardcover. . . . .

Buch. Zustand: New. The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted p.

Buch. Zustand: Neu. Neuware - The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy This creativity is however mostly restricted purely to its own field. In this respect, Rob Krier, born in 1938 in Grevenmacher, Luxembourg, is indeed the proverbial exception that proves the rule. Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work. Fine art could stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders and move them to thoughtful reflection. In the works of Mies van der Rohe it is not rare that one finds naturalistic figures from, for example, Aristide Maillol or Wilhelm Lehmbruck - as an anthropomorphic contrast to the strict geometry of the architecture, notes Rob Krier in the comments on his journal. If one is already aware of the realisation of his masterful architectural accomplishments through projects such as Potsdam-Kirchsteigfeld (1991 to 1997), De Resident in The Hague (1993 - 2001), Noorderhof in Amsterdam (1994 - 99), Veste Brandevoort near Helmond (since 1995), Citadel Broekpolder near Beverwijk (2000 - 04), or the Cité Judiciaire in Luxembourg (1992 - 2008) - be assured, Krier's artistic skills are in no way inferior to his architectural work. Quite the contrary: as a sculptor and illustrator, too, Rob Krier brings together extraordinarily musical qualities and incorporates them into his work: his bronze The Jumper was erected in Montpellier in 2004, the Cowering Woman ten years earlier on Berlin's Friedrichstraße, the four metre-high duo Bosch i Alsina and Papasseit on Moll de la Fusta in Barcelona in 1992.

Buch. Zustand: Neu. Figures | A Pictorial Journal 2000-2002 - Dt/engl | Ann Holyoke Lehmann | Buch | 768 S. | Deutsch | 2010 | Edition Axel Menges | EAN 9783936681383 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.