Isbn: 9783907078280 - brand new animals - we will never be so close again: dt. /engl. (6 Ergebnisse)

Gebundene Ausgabe, Gr.8°. Zustand: Gut. 223 S. Das Buch ist in gutem, sauberen Zustand. Einband etwas berieben. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783907078280 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 771.…

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:3907078284.…

Hardcover. Zustand: Very Good. Illustrated boards (hardcover), 221 p. : colour photos ; 25 cm. Very good, minimal shelf wear to boards. Text in German and English.

Hard Cover. Text: German / English. Unp.; ill.; 17 x 24,5 cm.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Fine. From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Near Fine (small bump to the crown of the spine, not affecting any pages, else Fine). From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.…