9783897905375 - Annelies Strba. Madonna von Baur, Simon; Rakusa, Ilma (10 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: as new. Stuttgart, Deutschland : Arnoldsche Art Publishers, 2019. Hardcover. 190 pp. color illustrations ; 22 cm - Annelies Strba (b. 1947) portrays the Blessed Mary not as the mother of God but as an ideal representative of her gender. The photo artist depicts an image of womanhood that elevates erstwhile religious intention to an abstract realm. Digital disengagement and the almost rhapsodic colouration set the stage for a surface on which to project emotions. Strba embraces the Madonnas, dismissing the transcendental and concentrating on the empathetic accent of the mother-child relationship. In choosing Maria, Strba creates the role of woman versed in pain and loss, but also one informed by purity and benevolence. Although these features were originally conceived in the composition and facial expression, the artist defamiliarises them through colour filters and the removal of contours - the dissipating figures lose themselves in their own luminosity. Condition : as new copy. ISBN 9783897905375. Keywords : ART,

Zustand: New. In.

Hardcover. Zustand: Brand New. 01 edition. 190 pages. French language. 9.00x6.50x0.75 inches. In Stock.

Zustand: New. The most recent work series of Swiss artist Annelies Strba is collected in a colourful publication where she defamiliarises her art through colour filters and the removal of contours.Annelies Strba (b. 1947) portrays the Blessed Mary not as the mother o.

Buch. Zustand: Neu. Neuware - Annelies Strba (b. 1947) portrays the Blessed Mary not as the mother of God but as an ideal representative of her gender. The photo artist depicts an image of womanhood that elevates erstwhile religious intention to an abstract realm. Digital disengagement and the almost rhapsodic colouration set the stage for a surface on which to project emotions. Strba embraces the Madonnas, dismissing the transcendental and concentrating on the empathetic accent of the mother-child relationship.In choosing Maria, Strba creates the role of woman versed in pain and loss, but also one informed by purity and benevolence. Although these features were originally conceived in the composition and facial expression, the artist defamiliarises them through colour filters and the removal of contours - the dissipating figures lose themselves in their own luminosity.Annelies Strba is an internationally renowned Swiss artist who has staged numerous solo and group exhibitions both at home and abroad. Arnoldsche has previously published two other books on her work: Frances and the Elves (2005) and my life's dreams (2012).

Buch. Zustand: Neu. Annelies Strba. Madonna | Simon Baur (u. a.) | Buch | 192 S. | Deutsch | 2019 | Arnoldsche | EAN 9783897905375 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu.

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9783897905375.

Hardcover. Zustand: Sehr gut. Z : 192 Seiten, 82 Abbildungen, Steifbroschur mit geprägtem Leinen, Essays auf Dünndruckpapier. - Annelies ?trba (geb. 1947) zeigt die heilige Maria nicht als Mutter Gottes, sondern als ideale Vertreterin ihres Geschlechts. Die Fotokünstlerin zeichnet ein Bild der Weiblichkeit, das die einst religiöse Intention in eine abstrakte Sphäre hebt. Die digitale Entfremdung, die fast ekstatische Farbgebung inszenieren eine Projektionsfläche für Emotionen. ?trba macht sich die Madonna zu eigen, blendet das Transzendente aus und konzentriert sich auf die empathische Betonung der Mutter-Kind-Beziehung. Mit der Wahl der Madonna legt ?trba die Rolle der Frau als schmerz- und verlusterfahren an, zeigt sie aber auch geprägt von Reinheit und Güte. Waren diese Facetten ursprünglich noch in Komposition und Mimik angelegt, verfremdet die Künstlerin diese nun durch Farbfilter sowie durch die Aufhebung von Konturen - die sich auflösenden Figuren verlieren sich in ihrer eigenen Leuchtkraft.