9783865219435 - Oil von Burtynsky, Edward (11 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Used-Very Good. 1st Edition. Cloth, dj. Slight shelf-wear. Otherwise very good condition.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Leinen. Zustand des Schutzumschlags: mit Schutzumschlag. First edition published. 29,5 x 37 cm 215 S. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr., meist farb. Abb. Bindung etwas gelockert, sonst gutes Exemplar. LMEX.

Zustand: as new. Photographs :Edward Burtynsky. Essays by Michael Mitchell, William E. Rees & Paul Roth. Göttingen : Steidl, 2009. Hardcover. Dustjacket. 215 pp. illustrations (chiefly color). Published in conjunction with the exhibition in Washington, D.C., at the Corcoran Gallery of Art, Oct. 3-Dec. 13, 2009; and in Amsterdam, at the Huis Marseille, Museum for Photography, Dec. 5, 2009-Feb 28, 2010. - In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over twenty years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Over the next ten years I researched and photographed the largest oil fields I could find. I went on to make images of refineries, freeway interchanges, automobile plants and the scrap industry that results from the recycling of cars. Then I began to look at the culture of oil, the motor culture, where masses of people congregate around vehicles, with vehicle events as the main attraction. These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. Condition : as new copy. ISBN 9783865219435. Keywords : PHOTOGRAPHY, oil.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition.

Hardcover. Zustand: Brand New. 1st edition. 215 pages. 11.75x14.75x1.25 inches. In Stock.

Zustand: New. In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over twenty years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Editor(s): Schubert, Marcus. Num Pages: 140 pages, 100 colour illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 299 x 373 x 29. Weight in Grams: 2872. . 2009. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Wie neu. Zustand des Schutzumschlags: Wie neu. 1. Auflage. "These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. Edward Burtynsky. Leineneinband mit Schutzumschlag 216 Seiten, 36 x 29 cm.

hardcover. Zustand: Perfetto (Mint). Prima edizione (First Edition). Catalogo della mostra itinerante tenutasi presso: Corcoran Gallery di Washington, ottobre - dicembre 2009 e Huis Marseille, Museum for Photography Amsterdam, dicembre 2009 - febbraio 2010. Testi di Michael Mitchell, William E. Rees, Paul Roth. 213 fotografie a colori di Edward Burtynsky Design: Marcus Schubert. Cm 29,50x37. pp. 216. . Perfetto (Mint). . Prima edizione (First Edition). . "Nel 1997 ho avuto quella che chiamo la mia epifania del petrolio. Mi venne in mente che i vasti paesaggi modificati dall'uomo che ho inseguito e fotografato per più di vent'anni erano stati resi possibili solo dalla scoperta del petrolio e dal vantaggio meccanico del motore a combustione interna. Fu allora che iniziai il progetto Oil. Nei dieci anni successivi ho ricercato e fotografato i più grandi campi di petrolio che ho potuto trovare. Ho continuato a fare immagini di raffinerie, svincoli autostradali, impianti automobilistici e dell'industria del rottame che risulta dal riciclaggio delle auto. Poi ho cominciato a guardare la cultura del petrolio, la cultura dei motori, per cui masse di persone si riuniscono intorno ai veicoli, con eventi automobilistici come attrazione principale. Queste immagini possono essere viste come annotazioni di un artista che contempla il mondo come è stato reso possibile da questa risorsa energetica vitale e dagli effetti cumulativi dell'evoluzione industriale". Book.