Isbn: 9783791344997 - the museum that did not exist (5 Ergebnisse)
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Weitere Bilder- Hardcover
Anbieter: Vintagestan Books, Waltham, LINCS, Vereinigtes KönigreichVintagestan Books
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Hardcover. Zustand: Good. Zustand des Schutzumschlags: Not applicable. VINTAGESTAN BOOKS Title: The Museum that did not Exist by Daniel Buren. 2010 Author: Daniel Buren Publisher: Prestel Year Published: 2010 Edition: Original Dimensions: 24.5cm x 17cm Binding type: Hardcover ISBN: 9783791344997 Notes: SKU: VSS / 171 / G / 2814 / 1884 / C Condition Dust Jacket Condition: Not applicable Book condition: Good. Rubbing, handling marks, marks Binding: Intact Pages: 335 pages.…
- Hardcover
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hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
The Museum That Did Not Exist: Daniel Buren
Bernard Blistene; Laurent Le Bon; Patrick Bouchain; Dorothea Van Hantelmann
- Hardcover
Anbieter: Fireside Bookshop, Stroud, GLOS, Vereinigtes KönigreichFireside Bookshop
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hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No D/J as Published. A pristine copy.
Daniel Buren : The Museum that did not exist
Alain Seban, Bernard Blistène, Laurent Le Bon, Dorothea von Hantelmann, Daniel Buren
- Hardcover
- Erstausgabe
Anbieter: Antiquariat UEBUE, Zürich, SchweizAntiquariat UEBUE
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Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 336 pp, illustrations - A seminal exhibition by the artist Daniel Buren at the Centre Pompidou in Paris is recreated through photographs of the since-destroyed pieces and illuminating reflections by the exhibition s curator. Since the late 1960s Daniel Buren has been challenging the traditional methods of presenting art through museums and galleries. Through his conceptual works Buren audaciously argues that the art and its viewing environment are both inextricable and antithetical. This beautiful volume takes readers on a tour of a spectacular exhibition at the Centre Pompidou in Paris. The photographs depict Buren s employment of the museum as a whole. The pieces, which he destroyed immediately after the exhibition closed, included hundreds of open cubes, mirrors, banners, and even a car park. Also featured are fascinating, behind-the-scenes accounts of the installation by the curator, Buren s own pre-exhibition sketches, ideas, andfloor plans, and perceptive essays that capture the significance of Buren s daring achievement.…
