Isbn: 9783723104279 - helnwein faces (9 Ergebnisse)

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good.

Well illustrated in black and white. Cloth. Dustwrapper. 115,(2) Seiten. Large 4to. Dustwrapper soiled, slightly worn, else good condition. ISBN 3723104274.

Schaffhausen, Edition Stemmle, 1992, Texte in Deutsch und Englisch, 116 Seiten mit 44 ganzseitigen Photographien (Portraits), überwiegend schwarz-weiß, Folio: ca. 35 x 26 cm, weicher Einband ; unten stellenweise schwach wellig, sonst für das Alter guter bis sehr guter Zustand.

Zustand: Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ON 52-11 081024. …

4° (36 x 27 cm), 115 S., Orig.-Pappband (Hardcover). - Zustand: Vortitel etwas fleckig. Ohne den Schutzumschlag.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Softcover. Zustand: gut. 1992. Faces., Text by William S. Burroughs, Heiner Müller, Reinhold Mißelbeck. In deutscher Sprache. pages.

Folio (35,5 x 26 cm.). 115, (1) S. mit 45 (3 farb.) Portraits. Illustr. OKart. Erste Ausgabe. - Text in Deutsch und Englisch. - Von G. Helnwein signiert. - "There is a basic misconception that any given face, at any given time, looks more or less the same, like a statue's face. Actually, the human face is as variable from moment to moment as a screen on which images are reflected, from within and from without. I have seen six pictures of the same subject taken in less than a minute - so different one from the other, as not to be recognizable as the same person. Gottfried Helnwein's paintings and photographs attack this misconception, showing the variety of faces of which any face is capable. And in order to attack the basic misconception, he must underline and exaggerate by distortion, by bandages and metal instruments that force the face into impossible molds. Images of torture and madness abound, as happens from moment to moment in the face seen as a sensitive reflection of extreme perceptions and experience. How can a self-portrait depict statuesque calm in the face of the horrors that surround us all? The torture, disease, fear and hatred that has come to be the daily fare of what the Pope calls "the banquet of life". These tortured faces all say: "This is what I mean. and this. and this. Look, and you will see." You can't show anyone anything he hasn't seen already, on some level - anymore than you can tell anyone anything he doesn't already know. It is the function of the artist to evoke the experience of surprised recognition: to show the viewer what he knows but does not know that he knows. Helnwein is a master of surprised recognition" (W. S. Burroughs). - Mit eindrucksvollen Portraits der Pop-Ikonen: Sting, Charles Bukowski, Keith Richards, Mick Jagger, David Bowie, W. S. Burroughs, Leo Castelli, Phil Collins, Michael Jackson, Clint Eastwood, Keith Haring, John Cale, Carl Barks, Elton John, Andy Warhol u. v. a. - "Depuis 1980, Helnwein travaille à une série appelée "Visages". Débutent alors ses rencontres avec des idoles. Des stars du show-business, du cinéma, de la politique de Mick Jagger à Billy Wilder, d'Andy Warhol à Sting et Willy Brandt. Ses dernières rencontres avec Charles Bukowski et David Bowie à Los Angeles l'an passé viennent compléter cette exposition de 50 portraits où ces personnages issus d'un monde apparemment factice, sont totalement dénudés par l'objectif pointilliste de Gottfried Helnwein" (Le Figaro 28. 10. 1992 zur Austellung in Goethe-Institut, Paris). - Sehr gutes Exemplar.…