Sprache: Englisch
Verlag: JRP Ringier Kunstverlag AG, 2010
ISBN 10: 3037640731 ISBN 13: 9783037640739
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: JRP Ringier Kunstverlag AG, 2010
ISBN 10: 3037640731 ISBN 13: 9783037640739
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 31,45
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
EUR 53,89
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Anbieter: Chapter Two (Chesham), Chesham, Vereinigtes Königreich
EUR 54,81
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good.
Sprache: Englisch
Verlag: JRP | Ringier / Galerie Hauser & Wirth, 2010
ISBN 10: 3037640731 ISBN 13: 9783037640739
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Erstausgabe
Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21,5 x 28 cm, hardcover, cloth binding, 164 pages (95 color ill.) - This book is based on a project to shed new light on Henry Moore's work by inviting Zaha Hadid to work on the display of the sculptures. It brings together documentation of the exhibition, alongside reproductions of sculptures and sketches by Moore, and accompanied by Mary Moore's observations of their conception. It also includes an essay by Matthew Collings on the exhibition and by Ann Wagner on the works on paper. Altogether, this publication provides a fresh perspective on the oeuvre of the modern master, whose "classic" modernism was seminal to the reception of modernity in England.