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Verlag: Springer Nature Switzerland, 2026
ISBN 10: 3032085837 ISBN 13: 9783032085832
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ISBN 10: 3032085837 ISBN 13: 9783032085832
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Sprache: Englisch
Verlag: Springer-Verlag Gmbh Feb 2026, 2026
ISBN 10: 3032085837 ISBN 13: 9783032085832
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Buch. Zustand: Neu. Neuware -Situated at the interstices of music and theatre studies, Theatrimusicality: Spectauralising Performance reframes the dynamic interplay of theatricality and musicality and theorises theatrimusicality as a conceptual consequent of analysing contemporary performance practices that lie in the intersection between theatre and music. The book establishes theatrimusicality as a hermeneutic apparatus and a dramaturgical approach to examining these works of the 'in-between' that defy neat taxonomies. Examining the co-transformative inter-workings, where the musical frames the theatrical even as the theatrical fashions the musical, Tan demonstrates how theatrimusicality allows new ways of meaning-making and analysis. The book also introduces an accompanying concept of spectaurality, a mode of reception that involves 'seeing' musicality and 'listening' to theatricality. Encountering performance spectaurally engenders alternative interpretive and affective experiences. Through deep analyses of a range of performances from varying cultures and contexts, Theatrimusicality encourages an appreciation of the co-presence of listening and seeing where perception becomes intertwined and relational.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 239 pp. Englisch.
Buch. Zustand: Neu. Theatrimusicality | Spectauralising Performance | Marcus Cheng Chye Tan | Buch | x | Englisch | 2026 | Palgrave Macmillan | EAN 9783032085832 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
Sprache: Englisch
Verlag: Springer-Verlag Gmbh Feb 2026, 2026
ISBN 10: 3032085837 ISBN 13: 9783032085832
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Situated at the interstices of music and theatre studies, Theatrimusicality: Spectauralising Performancereframes the dynamic interplay of theatricality and musicality and theorises theatrimusicality as a conceptual consequent of analysing contemporary performance practices that lie in the intersection between theatre and music. The book establishes theatrimusicality as a hermeneutic apparatus and a dramaturgical approach to examining these works of the in-between that defy neat taxonomies. Examining the co-transformative inter-workings, where the musical frames the theatrical even as the theatrical fashions the musical, Tan demonstrates how theatrimusicality allows new ways of meaning-making and analysis. The book also introduces an accompanying concept of spectaurality, a mode of reception that involves seeing musicality and listening to theatricality. Encountering performance spectaurally engenders alternative interpretive and affective experiences. Through deep analyses of a range of performances from varying cultures and contexts, Theatrimusicality encourages an appreciation of the co-presence of listening and seeing where perception becomes intertwined and relational.