Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 21,88
Anzahl: 5 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 23,17
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 19,82
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 128 pages. 8.25x6.25x0.25 inches. In Stock.
Zustand: New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Black Gull Books (P.B.F.A.), St Leonard's on Sea, Vereinigtes Königreich
Verbandsmitglied: PBFA
EUR 17,81
Anzahl: 1 verfügbar
In den Warenkorbpaperback. Zustand: Very Good.
EUR 27,15
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. KlappentextrnrnArtists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing co.
Sprache: Englisch
Verlag: Dis Voir Editions Okt 1999, 1999
ISBN 10: 290657192X ISBN 13: 9782906571921
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings.