Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
EUR 120,83
Anzahl: 1 verfügbar
In den Warenkorbpaperback. Zustand: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
paperback. Zustand: New. 1st.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes Königreich
EUR 273,78
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In den WarenkorbSoft cover. Zustand: New. X+552 p., 337 b/w ill. + 32 colour ill., 216 x 280 mm. In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been toldand left untold, in many accounts of the "Northern Renaissance"can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.