Wrappers. Zustand: Fine Condition. 61 pages. Paperback. Texts in French and English. Minimal shelfwear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff illustrated paper covers and published as the second publication in the Cahiers de la Collecction Lambert. Beautifully illustrated. Book.
EUR 17,10
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 19,40
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In den WarenkorbPaperback. Zustand: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.
EUR 22,06
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In den WarenkorbPaperback. Zustand: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Actes Sud/Collection Lambert, 2020
ISBN 10: 2330133316 ISBN 13: 9782330133313
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 19,22
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In den WarenkorbZustand: New. pp. 64.
Zustand: New. 2020. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Actes Sud/Collection Lambert, 2020
ISBN 10: 2330133316 ISBN 13: 9782330133313
Anbieter: Gallix, Gif sur Yvette, Frankreich
Zustand: Neuf.
EUR 22,41
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Über den AutorrnrnRobert Ryman was one of the main figures of minimalist painting. He taught himself to paint. In 1953, he took up employment as a museum guard at the Museum of Modern Art, like other artists of his generation - Sol LeWitt, .
Sprache: Englisch
Verlag: Actes Sud/Collection Lambert, 2020
ISBN 10: 2330133316 ISBN 13: 9782330133313
Anbieter: Housing Works Online Bookstore, New York, NY, USA
Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.
Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782330133313.
Taschenbuch. Zustand: Neu. Neuware - An affordable introduction to the American abstractionist whose ingenious use of white allowed 'other things to become visible'.