9781935869009 - someday this will be funny von tillman, lynne (10 Ergebnisse)

- Softcover
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- Softcover
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- Softcover
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- Softcover
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paperback. Zustand: New. New from the publisher.

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Paperback. Zustand: Brand New. 160 pages. 8.25x6.00x0.50 inches. In Stock.

- Softcover
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Zustand: Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: Ma…y show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ON 50-1 030321.

- Softcover
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- Signiert
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Soft cover. Zustand: New. No Jacket. 1st Edition. Brooklyn: [2011]. First edition. First printing. Trade paperback original. NEW. A pristine unread copy. SIGNED BY AUTHOR on title page. 0.0. Signed by Author(s).

- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. Klappentextrnrn The stories in Someday This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. --P. (4) of cover.rn.

- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism m…ingle at the reception. Narrators ? by turn infamous and nameless ? shift within their own skin, struggling to unknot reminiscence from reality while scenes rush into warm focus, then cool, twist, and snap in the breeze of shifting thought. Epistle, quotation, and haiku bounce between lyrical passages of lucid beauty, echoing the scattered, cycling arpeggio of Tillman's preferred subject: the unsettled mind. Collectively, these stories own a conscience shaped by oaths made and broken; by the skeleton silence and secrets of family; by love's shifting chartreuse. They traffic in the quiet images of personal history, each one a flickering sacrament in danger of being swallowed up by the lust and desperation of their possessor: a fistful of parking tickets shoved in the glove compartment, a little black book hidden from a wife in a safe-deposit box, a planter stuffed with flowers to keep out the cooing mourning doves. They are stories fashioned with candor and animated by fits of wordplay and invention ? stories that affirm Tillman's unshakable talent for wedding the patterns and rituals of thought with the blushing immediacy of existence, defying genre and defining experimental short fiction.