Isbn: 9781934414378 - diwata (american poets continuum, band 123) (9 Ergebnisse)

Sprache: Englisch
Verlag: BOA Editions, Limited, 2010
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Sprache: Englisch
Verlag: BOA Editions, 2010
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Sprache: Englisch
Verlag: BOA Editions Ltd., 2010
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Zustand: New. In English.

Sprache: Englisch
Verlag: Boa Editions, 2010
- Softcover
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Paperback. Zustand: Brand New. 82 pages. 9.00x6.00x0.50 inches. In Stock.

Sprache: Englisch
Verlag: BOA Editions Ltd., 2010
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Zustand: New. pp. 82.

Sprache: Englisch
Verlag: BOA Editions Aug 2010, 2010
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Taschenbuch. Zustand: Neu. Neuware - Tagalog is a language spoken by about 22 million people in thePhilippines. Diwata is a Tagalog term meaning, "muse." Diwata is also a term for a mythical figure or being who resides in nature, and whom human communities must acknowledge, respect, and appease, in order to live safely, harmoniously, and prosperously in this world.In her bookDiwata, Reyes uses such Filipino oral tradition devices as meter, repetition and refrain, call and response, incantatory verses which verge on song, and the pantoum (which has Southeast Asian origins). She frames her poems between the Book of Genesis creation story, and the Tagalog creation myth, placing her work somewhere culturally in between both traditions. Also setting the tone for her stories is the death and large shadow cast by her grandfather, a World War II veteran and Bataan Death March survivor, who has passed onto her the responsibility of remembering. Reyes' voice is grounded in her community's traditions and histories, despite war and geographical dislocation.…

Sprache: Englisch
Verlag: BOA Editions Aug 2010, 2010
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Taschenbuch. Zustand: Neu. Neuware -Tagalog is a language spoken by about 22 million people in thePhilippines. Diwata is a Tagalog term meaning, "muse." Diwata is also a term for a mythical figure or being who resides in nature, and whom human communities must acknowledge, respect, and appease, in order to live safely, harmoniously, and prosperously in this world.In her bookDiwata, Reyes uses such Filipino oral tradition devices as meter, repetition and refrain, call and response, incantatory verses which verge on song, and the pantoum (which has Southeast Asian origins). She frames her poems between the Book of Genesis creation story, and the Tagalog creation myth, placing her work somewhere culturally in between both traditions. Also setting the tone for her stories is the death and large shadow cast by her grandfather, a World War II veteran and Bataan Death March survivor, who has passed onto her the responsibility of remembering. Reyes' voice is grounded in her community's traditions and histories, despite war and geographical dislocationLibri GmbH, Europaallee 1, 36244 Bad Hersfeld 88 pp. Englisch.…
Weitere BilderSprache: Englisch
Verlag: BOA Editions, 2010
- Softcover
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Taschenbuch. Zustand: Neu. Diwata | Barbara Jane Reyes | Taschenbuch | Englisch | 2010 | BOA Editions | EAN 9781934414378 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Sprache: Englisch
Verlag: BOA Editions Aug 2010, 2010
- Softcover
Anbieter: Books-by-Floh, Paderborn, DeutschlandBooks-by-Floh
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Taschenbuch. Zustand: Neu. Neuware -Tagalog is a language spoken by about 22 million people in thePhilippines. Diwata is a Tagalog term meaning, "muse." Diwata is also a term for a mythical figure or being who resides in nature, and whom human communities must acknowledge, respect, and appease, in order to live safely, harmoniously, and prosperously in this world.In her bookDiwata, Reyes uses such Filipino oral tradition devices as meter, repetition and refrain, call and response, incantatory verses which verge on song, and the pantoum (which has Southeast Asian origins). She frames her poems between the Book of Genesis creation story, and the Tagalog creation myth, placing her work somewhere culturally in between both traditions. Also setting the tone for her stories is the death and large shadow cast by her grandfather, a World War II veteran and Bataan Death March survivor, who has passed onto her the responsibility of remembering. Reyes' voice is grounded in her community's traditions and histories, despite war and geographical dislocation 88 pp. Englisch.…