Sprache: Englisch
Verlag: Rochester Institute of Technology, Rit Press, 2010
ISBN 10: 1933360488 ISBN 13: 9781933360485
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 18,78
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
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In den WarenkorbPaperback. Zustand: Very Good. Series: Graphic Design Archives Chapbook Series 88p slim paperback, square format, illustrated in colour throughout, excellent clean copy Language: English.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 17,82
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In den WarenkorbPaperback. Zustand: Brand New. uk ed. edition. 88 pages. 7.50x7.40x0.40 inches. In Stock.
Sprache: Englisch
Verlag: RIT Cary Graphic Arts Press, 2010
ISBN 10: 1933360488 ISBN 13: 9781933360485
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2010. UK ed. Paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 31,82
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In den WarenkorbPaperback. Zustand: Brand New. uk ed. edition. 88 pages. 7.50x7.40x0.40 inches. In Stock.
Sprache: Englisch
Verlag: RIT Cary Graphic Arts Press, 2016
ISBN 10: 1933360488 ISBN 13: 9781933360485
Anbieter: moluna, Greven, Deutschland
EUR 27,42
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In den WarenkorbKartoniert / Broschiert. Zustand: New. This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.KlappentextrnrnThis concise overview of the work of designer Alvin Lustig (1915-55) focuses on his.
Sprache: Englisch
Verlag: Rochester Institute Of Technology, Rit Press Sep 2010, 2010
ISBN 10: 1933360488 ISBN 13: 9781933360485
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - This concise overview of the work of designer Alvin Lustig (1915-55) focuses on his book covers, vehicles for his bold graphic experimentation.Here is a colorful and well-researched representation of Alvin Lustig's book cover designs that were created primarily for New Directions Books and Noonday Press, among others. Lustig used the book cover as a vehicle of his bold graphic experimentation that was enhanced by a lifelong collaboration with James Laughlin, founder and publisher of New Directions Books. Ned Drew and Paul Sternberger cite many passages from these letters of correspondence betweenLustig and Laughlin which include a range of topics from the early 1940s up to Lustig's untimely death in 1955.As a modern designer, Lustig's interests spanned many fields: architectural, industrial and interior design which served as an expression of his deeply held convictions. For him, the designer was not a single-minded specialist, but an integrator of many art forms-and simultaneously, as he saw it, a spokesman for social change.NED DREW teaches at Rutgers University-Newark and is also the director of The Design Consortium, a student/teacher run design studio that focuses on non-profit, community-based projects.Paul Sternberger is an Associate Professor of Art History at Rutgers University-Newark. He is co-author with colleague Ned Drew of By It's Cover: Modern American Book Cover Design.