9781931885485 - William Eggleston: 5X7 (5 Ergebnisse)

Zustand: as new. Wie neu/Like new.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardcover. Fine olive-green cloth-covered boards with title stamped in black on spine, with photographically illustrated dust jacket. Photographs by William Eggleston. Essay by Michael Almereyda. Includes two-sided four-color poster (22 x 14-3/4 inches) for Eggleston's film "Stranded in Canton" (recto), and Almereyda's film "William Eggleston in the Real World" (verso). Designed by Jack Woody. Unpaginated (120 pp.), with 32 four-color and 29 black and white plates, the essay text printed blue, gray and black; all beautifully printed on heavy matte stock. 14-1/4 x 10-7/8 inches. This first edition was limited to 4000 hardbound copies. Out of print. New in publisher's shrink-wrap. One of the very best monographs of Eggleston's work published to-date! From the publisher: "William Eggleston's latest monograph features photographs taken during the early 1970s using a large format 5x7 camera. While the book includes imagery typical of the Eggleston oeuvre-- streetscapes, parked automobiles, portraits of the strange and disenfranchised--the book also offers never-before-published photographs taken in the nightclubs Eggleston used to frequent." According to Walter Hopps, "With it [his camera and portable strobes] Eggleston could shoot in virtual darkness in the juke joints and clubs around Memphis. The portraits are offhand and spontaneous but insistently stark; their brutality is heightened by the absence of color. The portraits have a leveling effect--whether biker or debutante, the people Eggleston photographed are clearly denizens of the same realm. [He] is reminding us: look closely, each of these individuals is subtly different." And from Johanna Burton, in Artforum: "Riveting as the sitters' accoutrements are, most compelling is the way in which each person is at once magnifed--laid bare and vulnerable. . . . Staring, smiling, grimacing, glowering, these are less portraits of 'individuals' than of the expressions that settle fleetingly on their malleable features. Each face feels stranger and more physically ambivalent than the next.".

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 96 pages. Features text by Michael Almereyda along with the text of his conversation with Eggleston. A collection of color and black and white plates of a wide ranging images all taken with a 5 x 7 camera. Includes a total of 57 four color plates. A fine copy in cloth boards and in a very near fine dust jacket and with laid in promotional poster that is in fine condition. Signed by Eggleston on the colophon page. Signed.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 96 pages. Number 96 of only 150 copies. Features text by Michael Almereyda along with the text of his conversation with Eggleston. A collection of color and black and white plates of a wide ranging images all taken with a 5 x 7 camera. Includes a total of 57 four color plates. A fine copy in cloth boards and in a fine dust jacket and fine cloth covered slipcase and with laid in promotional poster that is in fine condition. Signed by Eggleston on the colophon page. Signed.