9781931885409 - Drawings: Anthony Goicolea (9 Ergebnisse)

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: New. 2005. hardcover. . . . . . Books ship from the US and Ireland.

Cloth-covered boards (hardcover) with mounted plate on front panel, (64 pp.), with 35 four-color plates. Book is as new (shrinkwrapped) ISBN 1931885400.

hardcover. Zustand: fine. Anthony Goicella (illustrator). Second. A book of color reproductions of the artist's work. 57 pages + table of contents. Small 4to, green cloth with affixed glossy image on front cover. Santa Fe: Twin Palms, 2007. Second edition. Fine. Signed by the artist on title page.

Hardcover. Zustand: Fine. 1st Edition. First edition, first printing. Hardcover. Fine tan cloth-covered boards with tipped-in four-color plate on cover, and title stamped in black on spine, no dust jacket as issued. Drawings by Anthony Goicolea. Includes a list of plates. Designed by Jack Woody. Unpaginated (64 pp.), with 35 four-color plates beautifully printed on fine matte art paper. 10-3/4 x 8-5/8 inches. This first edition was limited to 1000 hardbound copies. Fine. From the artist: "The sense of foreboding tinged with playful fantasy characteristic of many of my photographs is mimicked in a suite of complex figurative line drawings on Mylar. Androgynous figures of indeterminate age float on top of and through each other in a layered composition separated by planes of Plexiglas and semi-opaque vellum paper. The ghostlike figures are caught in free-floating, awkward, transitional states: sometimes their images are doubled; sometimes they seem like as much animal as human. Optically, the figures fade in and out of each other in a series of tentative lines that read like traces of previous drawings and refer to memory and transition. The figures' relationship to the water's horizon line seems to shift within a single drawing. This horizontal reference point separates air from water and reality from fantasy while it transforms the swimmers' shapes and sizes. This shift mimics the play of light through water, seeming to actually pass through the two worlds and to fracture the figure caught between them. These absurd predicaments strive to provoke conflicting emotions in the viewer. Scenes which would normally appear threatening, dangerous, or grotesque inspire empathy as well as fear, and ultimately are revealed to be more complex than was first assumed.".

First Edition. First edition. Hardcover. One of only 1000 copies. A collection of 35 four color plates. A very fine copy in cloth boards with color plate affixed to the front board. Signed by Goicolea on the title page. No dust jacket as issued. Still in the publisher's shrinkwap slit open to verify signature and edition. Signed.

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Signed in black ink on the title page by Goicolea. Hardcover. Fine tan cloth-covered boards with tipped-in four-color plate on cover, and title stamped in black on spine, no dust jacket as issued. Drawings by Anthony Goicolea. Includes a list of plates. Designed by Jack Woody. Unpaginated (64 pp.), with 35 four-color plates beautifully printed on fine matte art paper. 10-3/4 x 8-5/8 inches. This first edition was limited to 1000 hardbound copies. New in publisher's shrink-wrap. From the artist: "The sense of foreboding tinged with playful fantasy characteristic of many of my photographs is mimicked in a suite of complex figurative line drawings on Mylar. Androgynous figures of indeterminate age float on top of and through each other in a layered composition separated by planes of Plexiglas and semi-opaque vellum paper. The ghostlike figures are caught in free-floating, awkward, transitional states: sometimes their images are doubled; sometimes they seem like as much animal as human. Optically, the figures fade in and out of each other in a series of tentative lines that read like traces of previous drawings and refer to memory and transition. The figures' relationship to the water's horizon line seems to shift within a single drawing. This horizontal reference point separates air from water and reality from fantasy while it transforms the swimmers' shapes and sizes. This shift mimics the play of light through water, seeming to actually pass through the two worlds and to fracture the figure caught between them. These absurd predicaments strive to provoke conflicting emotions in the viewer. Scenes which would normally appear threatening, dangerous, or grotesque inspire empathy as well as fear, and ultimately are revealed to be more complex than was first assumed." Signed by Author.