9781925780048 - suns von wright, tim (4 Ergebnisse)

- Softcover
Anbieter: BooksRun, Philadelphia, PA, USABooksRun
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Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

- Softcover
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- Softcover
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Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This first full-length volume draws from poems written over roughly ten years: prose sequences, sonnets or thereabouts, parody-homages, a metro poem, psychical collaborations, and drawn from small-print chapbooks. Combining a condensed lyricism, coll…age, and durational procedures, the collection works its way through days and the everyday (near accidents, a working salad, the assumptions of architecture).The sense of fleeting glimpse, of provisionality, of actual sense-data taken in but not yet possessed, is terrific. Is it 'lyric'? Well, yes-but with a stylistic affiliation to Projective and subsequent aesthetics. And no-in the sense that Wright does not seek that laurel or that identification.The feeling given is of a spacey self-awareness. So many lines in these poems seem acts of orientation, verification of the subject's placement, vis-a-vis sounds, views, examinations-of the sky, of overhead wires, a bird, sounds of a nearby train or traffic, changes in the weather. A space both actual and mental.Ken Bolton, SoutherlyTim Wright is the author of The night's live changes (2014) and Weekend's end (2013).

- Softcover
Anbieter: Buchpark, Trebbin, DeutschlandBuchpark
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Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This first full-length volume draws from poems written over roughly ten years: prose sequences, sonnets or thereabouts, parody-homages, a metro poem, psychical collaborations, and drawn from small-print chapbooks. Combining a condensed lyrici…sm, collage, and durational procedures, the collection works its way through days and the everyday (near accidents, a working salad, the assumptions of architecture).The sense of fleeting glimpse, of provisionality, of actual sense-data taken in but not yet possessed, is terrific. Is it 'lyric'? Well, yes-but with a stylistic affiliation to Projective and subsequent aesthetics. And no-in the sense that Wright does not seek that laurel or that identification.The feeling given is of a spacey self-awareness. So many lines in these poems seem acts of orientation, verification of the subject's placement, vis-a-vis sounds, views, examinations-of the sky, of overhead wires, a bird, sounds of a nearby train or traffic, changes in the weather. A space both actual and mental.Ken Bolton, SoutherlyTim Wright is the author of The night's live changes (2014) and Weekend's end (2013).