9781908966483 - Camera Atomica: Photographing the Nuclear World (8 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. 304.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand from some of the greatest nuclear events to ever happen. Editor(s): O'Brian, John. Num Pages: 304 pages, 256 colour and b/w illustrations. BIC Classification: AJCR; JWMN; THK. Category: (G) General (US: Trade). Dimension: 193 x 251 x 29. Weight in Grams: 1296. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 304 pages. 10.00x7.50x1.25 inches. In Stock.

Zustand: New. A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun.

Taschenbuch. Zustand: Neu. Neuware - Photographs have a crucial place in the representation of the atomic age and its anxieties. Camera Atomica examines narratives beyond the 'technological sublime' that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds.The book proposes that the body is the site where the social environment interacts with the so-called 'atomic road': uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Cameras have both recorded and 'in certain instances' provided motivation for the production of nuclear events.Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E.Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons. All photographs, including nuclear photographs, have the capability to function affectively by working on the emotions and fascinating audiences.Through a wide range of visual documentation, Camera Atomica raises questions such as: what has the role of photography been in underwriting a public image of the bomb and nuclear energy Has the circulation of photographic images heightened or lessened anxieties, or done both at the same time How should the different visual protocols of photography 'scientific, journalistic, documentary, touristic, and artistic 'be understood'.