Isbn: 9781907946080 - le luxe (7 Ergebnisse)

Hardcover. Zustand: Very good. first edition. 10 x 12 in. Cloth boards. Condition is VERY GOOD ; covers clean, light bumping and wear to corners and spine ends. Bindingh tight, text spotless. Art. Stax.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. First edition and first printing. Hardcover. A wide ranging collection of color photographs by Ethridge. A clean very near fine copy in blue cloth boards. No dust jacket as issued.(Parr & Badger v3, 308).

Hardcover. Zustand: Fine. 1st Edition. Blue cloth-covered boards with title stamped in white on cover and spine; no dust jacket as issued, [160]p : all illustrations (chiefly color) ; 30 cm. Fine. First edition.

Hardcover. Zustand: Very Good. 1st Edition. First edition, first printing. Hardcover. Blue cloth-covered boards with title stamped in white on cover and spine; no dust jacket as issued. Photographs by Roe Ethridge. 206 pp., with four-color plates throughout. Nearly as new condition with just the very lightest bit of rubbing to some of the edges of the boards, but hardly so. Otherwise binding it solid and tight, interior crisp and clean, and generally a lovely example of the uncommon 1st edition.…

29 x 25 cm with colour illustrations throughout. Cloth, fine copy.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Blue cloth-covered boards with title stamped in white on cover and spine; no dust jacket as issued. Photographs by Roe Ethridge. 206 pp., with four-color plates throughout. 11-1/4 x 10 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume III. (London and New York: Phaidon, 2014)]. New in publisher's shrink wrap. From the publisher: "American artist Roe Ethridge's latest book takes its title from the French 'C'est pas du luxe,' an ironic phrase which alludes to the superfluous nature of luxury whilst proclaiming how essential it is to existence. Such paradoxes are fluently woven through Ethridge's oeuvre and Le Luxe encompasses his practice from the past decade, without ever slipping into the moribund gravitas of a retrospective. Plumbing his diverse image inventories, from personal images and magazine commissions to an archive of online screen shots, the book continues his exploration of picture-making that disavows the potential for creating a finished work. Ethridge paraphrases Eggleston when he states that he is 'at war with the finished' in an era of digital photography straining towards idealisation. The pristine conditions of photography are undermined in the book's design and riff on Henri Matisse's apposite aphorism 'exactitude is not truth' (Matisse titled two of his paintings Le Luxe). Composed in three parts, Le Luxe contains an unusual backdrop, the everyday of the artist, who worked from November 2005 to January 2010 on one commission documenting a building in downtown Manhattan on a site adjacent to the World Trade Centre. This narrative offers an uneasy balance to the fissures between analogue and digital and Ethridge's consistent undermining of his own certainties." Roe Ethridge was born in 1969 in Miami and received a BFA in Photography at The College of Art in Atlanta, GA. Ethridge's images emanate from his direct experience of the world. His focus is multiple and restless as he works to capture the vivid and intimate details of his various locales. In doing so, he moves freely among the classic genres of the photographic medium - portrait, landscape, and still life.…