Isbn: 9781907776601 - shakespeare's hamlet (the connell guide to ...) (3 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Connell Publishing 01/04/2016, 2016

    1907776605 / 9781907776601

    • Softcover

    Anbieter: Bahamut Media, Reading, Vereinigtes KönigreichBahamut Media

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    EUR 10,49

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    Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

  • Sprache: Englisch

    Verlag: -, 2018

    1907776605 / 9781907776601

    • Softcover

    Anbieter: AwesomeBooks, Wallingford, Vereinigtes KönigreichAwesomeBooks

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    paperback. Zustand: Very Good. The Connell Guide to Shakespeare's Hamlet This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

  • Sprache: Englisch

    Verlag: CONNELL PUBLISHING LTD, 2017

    1907776605 / 9781907776601

    • Softcover

    Anbieter: World of Books (was SecondSale), Montgomery, IL, USAWorld of Books (was SecondSale)

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    Zustand: Gebraucht - Befriedigend

    EUR 78,95

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    Paperback. Zustand: Good. In the four centuries since Shakespeare's death in 1616, Hamlet has almost always been regarded as Shakespeare's greatest play. This is not surprising. As Barbara Everett has observed, Hamlet was not only the first great tragedy in Europe for two thousand years; it was, and still is, the world's most sheerly entertaining tragedy, the cleverest, perhaps even the funniest. The character of Hamlet utterly dominates the play he so reluctantly inhabits to a degree that is rivalled only by Prospero in The Tempest. Even when he isn't on stage, speaking nearly 40% of the play's text, the other characters are talking and worrying about him. This is the most obvious reason why Hamlet criticism over the years has been so Hamlet-centred: many critics, from Coleridge through to A. C. Bradley and beyond, see the play and its other characters almost entirely through Hamlet's eyes. In this book Graham Bradshaw sets out to correct this. For in his view the play is no exception to - and indeed can be seen as an extreme example of - Shakespeare's usual dramatic method, which was never to press or even reveal his own view on controversial issues like the divine right of kings or honour or ghosts and purgatory, but to frame these issues by assembling characters who think and feel differently about them. With Shakespeare it is hard, even impossible, to know what he thinks about (say) revenge or incest or suicide - and Hamlet's view is often strikingly different from the views of those around him. If the doubts about whether the Ghost in Hamlet is the messenger of divine justice or a devilish instrument of damnation were ever finally resolved, the play would be diminished, or shrivel into a museum piece.…