Isbn: 9781905674572 - reading the french new wave: critics, writers and art cinema in france: critics, writers and art cinema in franceâ (film and media studies) (8 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Num Pages: 256 pages. BIC Classification: 1DDF; APF. Category: (G) General (US: Trade). Dimension: 209 x 150 x 17. Weight in Grams: 324. . 2008. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Paperback. Zustand: Brand New. 256 pages. 8.00x5.50x0.75 inches. In Stock.

Zustand: New. &Uumlber den AutorrnrnDorota OstrowskaKlappentextrnrnOne of the most important movements in cinema history, the French New Wave of directors such as Jean-Luc Godard and Alain Resnais not only revitalised French cinema, bu.

Taschenbuch. Zustand: Neu. Neuware - One of the most important movements in cinema history, the French New Wave of directors such as Jean-Luc Godard and Alain Resnais not only revitalised French cinema, but permanently shifted cinema's aesthetic horizons by incorporating the narrative complexities of emerging modernist literature such as Alain Robbe-Grillet, Marguerite Duras and Jean Cayrol. This volume is the first title to comprehensively analyse these links between the New Wave and the New Novel, exploring intellectual figures such as Roland Barthes and Jorge Luis Borges, and their relationship with French cinema and its theorists, including Christian Metz and Noel Burch, as well as discussing groundbreaking films such as Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1962). Examining these connections between the cinematic and the literary avant gardes, Reading the French New Wave locates France's filmmaking revolution as a part of a wider artistic reevaluation of the mid-twentieth century.…