Sprache: Englisch
Verlag: Brindle and Glass Publishing, Ltd, 2007
ISBN 10: 1897142293 ISBN 13: 9781897142295
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Brindle and Glass Publishing, Ltd, 2007
ISBN 10: 1897142293 ISBN 13: 9781897142295
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 20,76
Anzahl: 1 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Brindle and Glass Publishing, Ltd, 2007
ISBN 10: 1897142293 ISBN 13: 9781897142295
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Num Pages: 90 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 216 x 143 x 8. Weight in Grams: 138. . 2007. Paperback. . . . . Books ship from the US and Ireland.
Zustand: New. KlappentextrnrnThe poems in Ben Murray&apos s debut collection, What We&apos re Left With, reflect on disconnection as a feature of contemporary urban experience. Murray&apos s poems tackle themes of isolation, loneliness and human separation.
Sprache: Englisch
Verlag: Brindle And Glass Publishing, Ltd Aug 2007, 2007
ISBN 10: 1897142293 ISBN 13: 9781897142295
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The poems in Ben Murray' s debut collection, What We' re Left With, reflect on disconnection as a feature of contemporary urban experience. Murray' s poems tackle themes of isolation, loneliness and human separation from nature. Murray creates trademark images of surprising loneliness and suburban angst: sog-white mornings/ of caffeinated mouths/ mating Cheerios/ O to empty O. The poet longs for mall-free days of sprawling languid under a pre-cancerous sun when we hurry up/ and wait, to become men. Writing about climate change, the poet asks how long until hibernating bears/ shake November from their sleep-under fur/ and start snorting around for off-season/ bargains. Capable of many different registers, Murray writes, in assumed voices, of grief and memory beyond his own immediate experience, something he describes as tapping into some larger collective autobiography.