Isbn: 9781891024481 - lee friedlander at work (6 Ergebnisse)

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  • Sprache: Englisch

    Verlag: DAP, US, 2002

    1891024485 / 9781891024481

    • Hardcover
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    Anbieter: Acadia Art & Rare Books. Est. 1931, Toronto, ON, KanadaAcadia Art & Rare Books. Est. 1931

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    Zustand: Gebraucht - Gut bis sehr gut

    EUR 38,63

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    Cloth over boards. Zustand: About fine. About fine. First edition. Hardcover with complete Dj. Large sq. 4to. Unpaginated. 193 doutone plates. Clean, unmarked and square.

  • Sprache: Englisch

    Verlag: D.A.P./Distributed Art Publishers, 2002

    1891024485 / 9781891024481

    • Hardcover

    Anbieter: Better World Books, Mishawaka, IN, USABetter World Books

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    Zustand: Gebraucht - Gut

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    Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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    Sprache: Englisch

    Verlag: D.A.P./Distributed Art Publishers, Inc, New York, 2002

    1891024485 / 9781891024481

    • Hardcover
    • Erstausgabe

    Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USAVincent Borrelli, Bookseller

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    Zustand: Gebraucht - Sehr gut

    EUR 55,56

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    Hardcover. Zustand: Fine. Near Fine. 1st Edition. First edition, first printing. Hardcover. Fine cloth, with debossed title, with dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Near Fine dust jacket (small closed tear at the upper rear dust jacket, else Fine). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work.".…

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    Sprache: Englisch

    Verlag: D.A.P., New York, 2002

    1891024485 / 9781891024481

    • Hardcover
    • Erstausgabe
    • Signiert

    Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USAERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)

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    Zustand: Gebraucht - Sehr gut

    EUR 114,78

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    Hardcover. Zustand: Fine. dj. First edition. Square 4to. Unpaginated. Dust jacket over color printed boards. Still in publishers brown paper shipping wrapper. Signed on the half-title by Friedlander. A new copy. Signed.

  • Sprache: Englisch

    Verlag: Distributed Art Pub Inc, 2002

    1891024485 / 9781891024481

    • Hardcover

    Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books

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    Zustand: Neu

    EUR 165,41

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    Hardcover. Zustand: Brand New. 96 pages. 12.25x12.00x0.75 inches. In Stock.

  • Weitere Bilder

    Sprache: Englisch

    Verlag: D.A.P./Distributed Art Publishers, Inc, New York, 2002

    1891024485 / 9781891024481

    • Hardcover
    • Erstausgabe
    • Signiert

    Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USAVincent Borrelli, Bookseller

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Sehr gut

    EUR 252,52

    EUR 8,92 Versand 
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    Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Fine cloth, with debossed title, with photographically illustrated dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Fine dust jacket (from Friedlander's personal archive). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work." Signed by Author. Signed.…