Sprache: Englisch
Verlag: British Library/Oak Knoll, London, 1999
ISBN 10: 1884718930 ISBN 13: 9781884718939
Anbieter: Gotcha By The Books, Brisbane, QLD, Australien
Erstausgabe
Stiff Card. Profusely illustrated (illustrator). Illustrated study of British book design since the war, setting the current publishing scene in the context of the best practice from the last 50 years or so; Very Good throughout; dustwrapper lightly rubbed, o.w. VG. dustwrapper. 160pp. 4to. Very Good in Very Good dustwrapper Very Good in Very Good dustwrapper.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 15,21
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9781884718939.
Sprache: Englisch
Verlag: British Library & Oak Knoll Press, 1999,, 1999
ISBN 10: 1884718930 ISBN 13: 9781884718939
Anbieter: BRIMSTONES, Lewes, Vereinigtes Königreich
EUR 11,90
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. paperback, large square 4to, 160pp., illustrated, contents clean and tight, no inscriptions, corners slightly scuffed, Very Good condition. ISBN: 1884718930.
Anbieter: Ystwyth Books, Aberystwyth, Vereinigtes Königreich
EUR 29,75
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Fine. Fine copy. No additions.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 44,10
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Oak Knoll Press - The British Library, 1999
ISBN 10: 1884718930 ISBN 13: 9781884718939
Anbieter: Emile Kerssemakers ILAB, Heerlen, Niederlande
1999, 160pp, Illustrated. Paperback. In very good condition. In this stimulating book Alan Bartram sets the current publishing scene in the context of the best practice of the last fifty years. While emphasising that a satisfying book is the result of teamwork between author, editor, designer and printer, it is mainly concerned with their design. Tschichold, Schmoller and others, in the first twenty-five years of the period examined here, created books which were not only elegant, but had high standards of readability and straightforward communication. Much has changed, but such elementary requirements for good bookmaking are as relevant today as they ever were.