9781872501093 - humour and folly in secular and profane prints of northern europe (1430-1540) (studies in medieval and early renaissance art history 35) von grössinger, christa (11 Ergebnisse)
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Small 4to, i-xiv, 227 pp, 213 black and white illustrations. Light bumping to the bottom left hand corner, previous owner's book plate else an excellent copy in dust wrapper.
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9781872501093.
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Hardcover. Zustand: Brand New. 227 pages. 10.75x8.25x1.00 inches. In Stock.
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FIRST EDITION 4to. dark blue cloth hardback, gilt, in unclipped dust jacket. 227pp., Indexed, profusely illustrated in b/w. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 8) ISBN: 9781872501093 PLEASE NOTE: Heavy BOOK (1.3 kg+) Postage rates vary according to des…tination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.
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Buch. Zustand: Neu. Neuware - This book highlights the importance of secular and profane prints for the reconstruction and understanding of themes popular in the late Middle Ages and early Renaissance, and examines their function as patterns for the other arts, and as sources for moral teaching and entertainment. As successors t…o the marginal illuminations of medieval manuscripts these prints represent the 'low' arts, and as such have licence for subversion and comedy. They are lower both in medium and subject matter than paintings, concentrating on foolish and sinful behaviour, on world-upside-down situations and on base human passions, all to be discussed as a mirror of human folly and depravity. Indeed, some images cross the barriers of decency, resulting in scatological and grotesque representations. The medieval Church was much exercised by the sin of lust, and women since the Fall were seen as temptresses incarnate, represented on prints as subjugating men, deceiving them and, generally, making fools of them. Peasants, equally lecherous but stupid are depicted carousing at Peasant Festivals, rather than working. Other popular themes are of Wild People, who live in harmony with nature, and protect the procreation of human families, and outcasts, such as beggars, cripples and quacks. Prints also illustrate the historical concerns of the period, such as the Peasants' War in Germany, and the wars in Italy, represented by images of vain soldiers and death. Overall, the picture gained from secular and profane prints is one of humanity abandoning itself to the sins of the flesh and, therefore, folly; real life is in details only, to serve in the interest of a satirical, yet convincing, illustration of the world, often with a didactic aim.
