ISBN: 9781861892638 - death 24x a second: stillness and the moving image (10 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781861892638.

Paperback. Zustand: Brand New. illustrated edition. 216 pages. 8.25x5.50x0.75 inches. In Stock.

Zustand: New. pp. 216.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. 2006. Reprint. Paperback. Addresses some of the key questions of film theory, spectatorship and narrative. This title proposes that with the arrival of new technologies and new ways of experiencing the cinematic image, film's hidden stillness comes to the fore, thereby acquiring a new accessibility and visibility. Num Pages: 216 pages, 37 black & white illustrations. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 213 x 140 x 16. Weight in Grams: 394. . . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - 'Death 24x a Second 'is a fascinating exploration of the role new media technologies play in our experience of film. Addressing some of the key questions of film theory, spectatorship, and narrative, Laura Mulvey here argues that such technologies, including home DVD players, have fundamentally altered our relationship to the movies. According to Mulvey, new media technologies give viewers the ability to control both image and story, so that movies meant to be seen collectively and followed in a linear fashion may be manipulated to contain unexpected and even unintended pleasures. The individual frame, the projected film's best-kept secret, can now be revealed by anyone who hits pause. Easy access to repetition, slow motion, and the freeze-frame, Mulvey argues, may shift the spectator's pleasure to a fetishistic rather than a voyeuristic investment in film. By exploring how technology can give new life to old cinema, 'Death 24x a Second 'offers an original reevaluation of film's history and its historical usefulness.…

Zustand: New. Addresses some of the key questions of film theory, spectatorship and narrative. This title proposes that with the arrival of new technologies and new ways of experiencing the cinematic image, film s hidden stillness comes to the fore, thereby acquiring a n.