9781861890467 - reflections on baroque von harbison, robert (6 Ergebnisse)
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Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Weitere Bilder- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy with clean and unmarked contents and in a well preserved pictorial dust jacket. Illustrated, x + 260pp.
- Hardcover
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1st edition. A very clean, tidy copy with B&W illustrations; owner's name sticker on front free endpaper; faint foxing to top and bottom page edges. Dust jacket not price-clipped. Used - Very Good. VG hardback in VG dust jacket.
- Hardcover
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Anbieter: MW Books, New York, NY, USAMW Books
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1st edition. Fine cloth copy in an equally fine dust-wrapper. Previous owner's paper note glued to the front free endpaper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; x, 259 pp., illustrations. Notes; Includes bibliographical references and index. Contents; Refl…ections on Baroque Cover; Imprint page; Contents; Contents (ii); Foreword; I. The Case for Disruption; II. Tormented Vision; III. The View from Above; IV. The End of Heroism; V. The World of Scenery; VI. Baroque Nature; VII. Colonial Baroque; VIII. Neo and Pseudo Baroque; IX. Baroque in the Twentieth Century; Notes; Acknowledgements; Photographic Acknowledgments; Index.Subjects; Arts, Baroque. Civilization. Fine Arts. Art, Modern 17th-18th centuries. 1 Kg.
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Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. ~No ownership marks. As new. ~Robust packaging. All UK orders with tracking, overseas tracking available on request. Used books are exempt from USA tariffs. 1st edn. Hardback. Size: x, 259pp, illus. With dustwrapper.
- Hardcover
Anbieter: Book Express (NZ), Shannon, NeuseelandBook Express (NZ)
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Hardcover. Zustand: Very Good. 280 pages. In this reinterpretation of the Baroque, Robert Harbison offers new readings that stress its eccentric and tumultuous forms, in which a destabilized sense o f reality is often projected onto the viewer. This strange, subjectively incline d world is manifested in such bizarre phenomena as… the small stuccoed universe o f Giacomo Serpotta, the Sacred Mounts of Piedmont and the grimacing heads of F. X. Messerschmidt. From its beginnings in the seventeenth century, the Baroque e mbraced the whole of Catholic Europe and infiltrated Protestant England, Orthodo x Russia and even Muslim Turkey. Architecture, paintings, poetry, music, natural science and new forms of piety all have their places on the Baroque map. Harbis on explores their metamorphoses into later styles, particularly the Rococo, and, in an unexpected twist, pursues the Baroque idea into the nineteenth and twenti eth centuries, proposing provocative analyses of pastiches or imitations (in Der Rosenkavalier and the work of Aubrey Beardsley) or resemblances (deliberate or not) in Czech Cubism and Frank Gehry's architecture. Typical of Harbison's appro ach in the depth and breadth of its points of reference, Reflections on Baroque demonstrates that the Baroque impulse lives on in the 21st-century imagination.
