Isbn: 9781859843321 - close up: iranian cinema: past, present and future (14 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Near Fine. First Paperback Edition. B&W Film stills; Square 8vo 8" to 9" tall; 320 pages; 2001 Verso. Stout, square format paperback in glossy pictorial covers. Feels and appears unread with crisp edges and uniform colors. Illustrated with b&w film stills. About as new. NF.

Paperback. Zustand: Near Fine. First Paperback Edition. B&W Film stills; Square 8vo 8" to 9" tall; 320 pages; Stout, square format paperback in glossy pictorial covers. Feels and appears unread with crisp edges and uniform colors. Illustrated with b&w film stills. About as new. NF.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Used-Very Good. Paper. Minor shelf wear.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781859843321.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781859843321. …

Paperback. Zustand: Brand New. illustrated edition. 320 pages. 7.75x7.75x1.00 inches. In Stock.

Zustand: New. In this book, the growing reputation of Iranian cinema, from its origins in the films of Kimiai and Mehrjui, through the work of directors such as Kiraostami, Beyzai and Bani-Etemad, to young film-makers like and Bahman Qobadi, who triumphed at the Cannes F.

Taschenbuch. Zustand: Neu. Neuware - Abbas Kiraostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival in 1997 for his film A Taste of Cherry. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origines in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiraostami, Beyzai and Bani-Etemad, to young film-makers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to globally celebrated but little-studied cinematic genre.Unabashedly polemical, he dissects the idea of the oriental in western perceptions of Iranian cinema and details the way that film festivals and distribution in the west have shaped domestic output in Iran. He looks, too, at the particular difficulties faced by women film-makers in a country of Islamic orthodoxy, and the obstacles placed in the path of directors attempting to introduce dissident politics in their work.…