9781859184967 - viewpoints: theoretical perspectives on irish visual texts (5 Ergebnisse)
- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. 2013. First Edition. Hardcover. . . . . . Books ship from the US and Ireland.
- Hardcover
- Erstausgabe
Anbieter: MW Books, New York, NY, USAMW Books
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EUR 54,43
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First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xviii, 278 pages, illustrations (black and white); 25 cm. Notes; Includes bibliographical references and index. Subjects; Popular culture Irela…nd. Art and society. Civilization. In motion pictures. Irish culture. Media studies. Film history. 1 Kg.
- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 67,37
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Hardcover. Zustand: Brand New. 278 pages. 9.25x6.50x1.25 inches. In Stock.
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. Viewpoints explores the ways in which visual texts engage with questions of Irish culture, and the manner in which those texts are received, circulated, and consumedÜber den AutorClaire Bracken is at English Department, Union C.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 71,00
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Buch. Zustand: Neu. Neuware - Over the last twenty years, Ireland has undergone significant transformation and, as a consequence, notions of Irish identity and nationality have been in constant flux. For this reason, it is a timely moment to consider visual representations, both past and present, of Irish cultural life, and cont…ribute to conversations about questions such as: What kind of iconic currencies does Ireland have How should we see them Are there specific ideological frameworks operating when we imagine Ireland Can we imagine Irishness differently Viewpoints explores the ways in which visual texts engage with questions of Irish culture, and the manner in which those texts are received, circulated, and consumed. By way of recourse to a range of theoretical positions that include feminism, psychoanalysis, phenomenology, philosophy, and queer theory, the collection presents multiple and variegated perspectives on Irish texts, culture, society, and life. With essays on theories of visualization and early Irish photography, adaptation and memory in the diasporic image, identities in Irish photographic art, the advertising of therapeutic wellness sites, as well as essays which read and focus on Irish film and television differently, this book brings new critical readings to how we see Irish culture.
