9781854375094 - Anthony Caro von Moorhouse, Paul (10 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. Anthony Caro (born 1924) is widely regarded as 'Britain's greatest living sculptor' (The Guardian, 2003) and has enjoyed an international reputation since the early 1960s. This publication accompanies a major retrospective exhibition of Caro's work at Tate Britain in January 2005. Caro studied at Regent Street Polytechnic and the Royal Academy Schools, before working as Henry Moore's assistant between 1951 and 1953. His work changed radically following a visit to America in 1959, when he met the sculptor David Smith, the painter Kenneth Noland and the critic Clement Greenberg. In 1960 he began making purely abstract sculptures constructed and welded in steel, comprising beams, girders and other found elements painted in bright colours. 'I think my big break in 1960 was in challenging the pedestal, killing statuary, bringing sculpture into our lived-in space', Caro wrote. The exhibition of these works at the Whitechapel Gallery in 1963, caused a sensation and heralded a revolution in sculpture. Within a short period, conventional ideas about materials, method, surface, scale, form and space were overturned by his radical reworking of all these elements. This recognition was parallel.

Paperback. Zustand: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice older book in good condition. Pages in excellent condition. Plates bright and vivid. Softcover. English. See images for condition. About the book >.>.> Anthony Caro is Britain's most celebrated living sculptor, an artist of the highest international renown, and a figure of unquestionable significance in the history of modern Western art. His innovations and his influential teaching - which suggested that sculpture could be made of literally anything - effectively reinvented the language of the medium itself. His influence - for example in eliminating the plinth and placing the sculpture in the viewer's own space, now a convention - has been profound. And the presence and resonance today of his work from across six decades is, as this exhibition bears witness, extraordinary. This exhibition follows the retrospectives of Lucian Freud (2002) and Bridget Riley (2003) as the third in Tate Britain's series devoted to major artists whose sustained impact on the course and reputation of modern British art has seemed to us worthy of complete exploration and committed presentation to a new contemporary public. Unusually, but unapologetically,

Zustand: Très bon état. in-4, broché, 175 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Bonne condition.

SOFTCOVER. Zustand: Fine. 1st Edition. Extra Large 4to. in colour printed stiff glossy card covers, 175pp on stiff paper, plates in colour and b/w, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (hint of tanning to covers) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.