9781854373953 - Donald Judd (5 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:9781854373953.

Paperback. Zustand: Very Good. One of the most influential American artists of the post-war period, Donald Judd (1928-1994) changed the course of modern sculpture. This lavishly illustrated survey accompanies a major exhibition at Tate Modern in early 2004, which subsequently tours to European venues. Featuring contributions by Nicholas Serota (Director of Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Shiff and David Raskin, and British artist and critic David Bachelor, it will comprise the most thorough and up-to-date publication on Judd in print. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor, stacked or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanished iron, steel, plexiglass and plywood. His use of vibrant colour, polished and reflective metals and brightly hued lacquer confounds expectations as to what 'minimalist' sculpture should look like. Forty-one works from collections around the world, many of them large scale, are being gathered for the exhibition and will be illustrated with full catalogue entries, alongside many other major works by Judd. The contributors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. Judd's critical response to the work of other artists is examined as is the importance of colour to his work and his reaction to new man-made materials and artificially generated colours in the late twentieth-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

288 pp.; 31 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Modern, London, United Kingdom, February 5 - April 25, 2004 . Traveled to K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, June 19 - September 5, 2004 and Kunstmuseum Basel, Switzerland, October 2, 2004 - January 9, 2005. Essays by Rudi Fuchs, Richard Shiff, David Batchelor, David Raskin, Nicholas Serota, and writings by Donald Judd. Also includes chronology, selected reading, selected exhibitions, and exhibition checklist. Very Good. 27 cm. crease across height of recto and light rubbing of cover edges. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Encuadernación de tapa blanda. Zustand: Casi nuevo. 2004. Catálogo de gran formato y peso de la exposición celebrada en Tate Modern (Londres, U.K.) en Febrero - Abril de 2004. 288 pp. Excelentes reproducciones en color de 41 obras expuestas. Idioma: Inglés. LIB 10J.