Isbn: 9781852428129 - haunted weather: music, silence, and memory (3 Ergebnisse)

ISBN
Mit der Detailsuche verfeinern

Optimieren Sie Ihre Suche

  • Bücher (3)

bis

Benutzerdefinierte Preisspanne (EUR)

bis

  • Sprache: Englisch

    Verlag: Serpent's Tail, 2004

    1852428120 / 9781852428129

    • Softcover

    Anbieter: World of Books (was SecondSale), Montgomery, IL, USAWorld of Books (was SecondSale)

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Zustand: Gebraucht - Befriedigend

    EUR 14,93

     Versand gratis 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

  • Sprache: Englisch

    Verlag: Serpent's Tail, 2004

    1852428120 / 9781852428129

    • Softcover

    Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Zustand: Gebraucht - Gut

    EUR 12,24

    EUR 6,52 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 3 verfügbar

    Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Sprache: Englisch

    Verlag: Serpent's Tail, 2004

    1852428120 / 9781852428129

    • Softcover
    • Erstausgabe

    Anbieter: Remarks Used Books, Pittsfield, MA, USARemarks Used Books

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Zustand: Gebraucht - Gut

    EUR 31,87

    EUR 5,16 Versand 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    Soft cover. Zustand: Very Good. 1st Edition. First published in 2004 by Serpent's Tail, 2nd printing. Brilliant, clean & tight copy, unread, in Very Good condition, despite a minor beump on serpent's spinal tail (still square). "Is it possible to grow electronic sounds, as if they were plants in a garden? Can the resonance of an empty room be played like a musical instrument? Why are childhood memories of sound and silence so important to our emotional development? Is it valid to classify audio recordings of wind or electrical hum as musical compositions? Can computers replace more conventional instruments like the piano or the electric guitar? How can improvisation coexist with computer software? Why have the sounds of our environment become so important to sound artists and why is atmosphere so important in music? In HAUNTED WEATHER, David Toop asks these questions and gauges the impact of new technology on contemporary music. Partly personal memoir, partly travel journal, the book explores ways in which the body survives and redefines its boundaries in a period of intense, unsettling change and disembodiment. At the heart of the book is how sound and silence in space, in memory and in the action of performance acquire meaning." [publisher's copy] "An erudite and entertaining chauffeur, Toop, a noted ambient musician himself, shows us a way of listening differently. He teaches us to enjoy the environmental sounds of pneumatic drills, police helicopters, and tree frogs. He tells us to appreciate the silence between the sounds. Toop [is] up there with Eno as a theorist of ambient music."---Wired. This Paperback Original has brilliant corners & crisp edges (despite that beump), a square & tight binding w/no creases in spine & no interior markings (because: unread). "Toop knows far more, about a far broader range of music, than any other critic."---New Statesman. Quite presentable.