ISBN: 9781846310522 - photo-texts: contemporary french writing of the photographic image (contemporary french & francophone cultures, band 14) (8 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781846310522. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 256.

Zustand: New. In English.

Zustand: New. What do photographs want? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the French-speaking world, this book attempts to define the interaction between non-fictional written text and photographic image. Series: Contemporary French and Francophone Cultures. Num Pages: 256 pages, 8 black & white illustrations. BIC Classification: AJ; JFD. Category: (G) General (US: Trade). Dimension: 240 x 166 x 20. Weight in Grams: 536. . 2010. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. &Uumlber den AutorAndy Stafford is a senior lecturer in French at the University of Leeds.KlappentextrnrnIn today s image-saturated society, photograph and text live side-by-side, engaged in a co.

Buch. Zustand: Neu. Neuware - In today's image-saturated society, photograph and text live side-by-side, engaged in a complex collaboration. Andy Stafford critically examines this interplay in 'Photo-texts,' taking nine case studies from the 1990s French-speaking world and looking at the interaction between non-fictional written texts (caption, essay, fragment, poem) and photographic images. The 'photo-text,' as he defines it, is concerned as much with the oral as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of spoken human discourse suggests that the key element of the photo-text is its radical provisionality--that it is inherently unstable and ever-changing. This pathbreaking study offers a vital resource for scholars in contemporary French and francophone cultures.…