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In den WarenkorbZustand: Very Good. 2005th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
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In den WarenkorbZustand: Good. 2005th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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In den WarenkorbZustand: New. In.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Num Pages: 208 pages, illustrated. BIC Classification: APFA. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 156 x 233 x 15. Weight in Grams: 388. . 2005. 2005 ed. paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 208 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2005
ISBN 10: 1844571017 ISBN 13: 9781844571017
Anbieter: moluna, Greven, Deutschland
EUR 54,09
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In den WarenkorbKartoniert / Broschiert. Zustand: New. Über den AutorrnrnCatherine Constableis Senior Lecturer in Film Studies at Sheffield Hallam University.InhaltsverzeichnisIntroduction: Thinking in Images Chapter 1: Theories Proper and Improper Chapter 2: The Mir.
Sprache: Englisch
Verlag: PALGRAVE MACMILLAN Dez 2005, 2005
ISBN 10: 1844571017 ISBN 13: 9781844571017
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'Thinking in Images 'addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Duff, Catherine Constable argues that philosophy is reliant on sociocultural images, such as the figures of the veiled woman, the femme fatale, and the seductress. Constable traces the key role such female images play in the theorizations of beauty, art, and truth offered by Nietzsche and his successors: Jacques Derrida, Sarah Kofman, and Jean Baudrillard. Recognizing that images are crucial to theorizing means that film images have the capacity to challenge and change previous theoretical models. This is demonstrated by a case study of three films from the Dietrich/Sternberg cycle: 'The Scarlet Empress, The Devil Is a Woman, 'and 'Shanghai Express. 'These detailed readings focus on the ways in which Dietrich's glamorous characters challenge the theorization of woman as a beautiful object, thus offering new ways of conceptualizing woman's role as the icon of beauty, art, and truth.