9781835952795 - propositions for studio inquiry: a journey into artists' studios (ib - artwork scholarship: international perspectives in education) von shields, alison (4 Ergebnisse)

- Hardcover
Anbieter: PBShop.store US, Wood Dale, IL, USAPBShop.store US
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 112,11
Versand nach gratisVersand innerhalb von USAAnzahl: 9 verfügbar
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 107,79
EUR 5,89 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 9 verfügbar
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 124,39
EUR 14,66 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Hardcover. Zustand: Brand New. In Stock.

- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 144,82
EUR 63,10 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - A cross-Canada journey into the studios of contemporary artists, revealing the studio as a vital window onto the thinking, learning, and creative processes shaping art today. Drawing on over one hundred studio visits and interviews with painters, this book offers a compelling exploration of the arti…st's studio--not as a static workspace, but as a dynamic, relational, and generative site of learning, thinking, and becoming. Alison Shields shows that the studio can be understood in four interwoven ways: as place, as process, as material thinking, and as dialogue with the world. As a place, it is where one dwells within subjective time and space, part of an active and interconnected ecosystem that, through artmaking, can transport us elsewhere. As a process, it is emergent, performative, generative, and always in a state of 'not knowing'. As material thinking, it bridges mind and matter, thought and feeling, allowing intuition to roam within embodied and often messy environments. As dialogue with the world, it is relational, imaginative, and responsive to the ongoing texture of lived experience. Rather than offering definitive conclusions, the book unfolds through a series of speculative propositions--drawn from the words and reflections of artists themselves--that illuminate the open-ended nature of creative processes. It invites not only artists but anyone curious about how we make, feel, and know to engage with the studio as a site of infinite possibility within an ever-changing ecology of practice.