Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In.
EUR 175,20
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In den WarenkorbZustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of digital haunting , contemporary horror cinema reflects - and exploits - the anxieties of our age.Klappentextrn.
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 231,31
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In den WarenkorbZustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of 'digital haunting', contemporary horror cinema reflects - and exploits - the anxieties of our age. Editor(s): Reyes, Xavier Aldana; Blake, Linnie. Series: International Library of the Moving Image. Num Pages: 224 pages. BIC Classification: APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 168 x 242 x 28. Weight in Grams: 498. . 2015. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 264,49
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In den WarenkorbHardcover. Zustand: Brand New. 224 pages. 9.50x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC Okt 2015, 2015
ISBN 10: 1784530255 ISBN 13: 9781784530259
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age, in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) and 'digital haunting' (when ghosts inhabit digital technologies). This book offers an exploration of the digital horror film phenomenon, across different national cultures and historic periods, examining the sub-genres of CCTV horror, technological haunting, snuff films, found footage and torture porn. Digital horror, it demonstrates, is a product of the post 9/11 neo-liberal world view - characterised by security paranoia, constant surveillance and social alienation. Digital horror screens its subjects via the trans-national technologies of our age - such as the camcorder and CCTV - and records them in secret footage that may, one day, be found.