9781772120004 - Landscapes of War and Memory: The Two World Wars in Canadian Literature and the Arts, 1977-2007: The Two World Wars in Canadian Literature and the Arts, 1977 to 200... (6 Ergebnisse)

Soft cover. Zustand: Near Fine. Softcover, 636 pgs. Near fine. Since 1977, a new generation of Canadian writers and artists has been mapping the cultural landscapes formed by the memories of war we have inherited, and also the ones we are expected to forget. Challenging, even painful, the art and literature in Grace's magisterial study build causeways into history, connecting us to trials and traumas many Canadians have never known but that haunt society in subtle and compelling ways. A contemporary scholar of the period under examination, Grace exemplifies her role as witness, investing the text with personal, often lyrical, responses as a way of enacting this crucial memory-work.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Comprehensive study of Canadian literature, theatre, art (1977-2007) depicting memories of the two world wars. Num Pages: 636 pages, illustrations. BIC Classification: 1KBC; DSBH. Category: (G) General (US: Trade). Dimension: 230 x 153 x 42. Weight in Grams: 920. . 2014. First Edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorSherrill Grace, OC, holds the title of University Killam Professor at the University of British Columbia, where she has taught Canadian Literature and Culture for more than 35 years. She is also Professor of English, D.

Taschenbuch. Zustand: Neu. Neuware - 'That Canada remains a society haunted by its war history seems clear.' Since 1977, a new generation of Canadian writers and artists has been mapping the cultural landscapes formed by the memories of war we have inherited, and also the ones we are expected to forget. Challenging, even painful, the art and literature in Grace's magisterial study build causeways into history, connecting us to trials and traumas many Canadians have never known but that haunt society in subtle and compelling ways. A contemporary scholar of the period under examination, Grace exemplifies her role as witness, investing the text with personal, often lyrical, responses as a way of enacting this crucial memory-work. This comprehensive study is intended for scholars, students, and general readers interested in literature, theatre, and art relating to memories of the world wars.