Isbn: 9781612192123 - cotton tenants: three families (11 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First. Out of Print hardcover in dust-jacket, 223 pages, b/w images.

Hardcover. Zustand: Brand New. 160 pages. 7.75x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Third printing stated. 224 pages. This was co-published with The Baffler magazine. A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer. In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a four-hundred-page prose symphony about three tenant farming families in Hale County, Alabama at the height of the Great Depression. The book shattered journalistic and literary conventions. The origins of Agee and Evan's famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. James Rufus Agee (November 27, 1909 - May 16, 1955) was an American novelist, journalist, poet, screenwriter and film critic. In the 1940s, writing for Time, he was one of the most influential film critics in the United States. His autobiographical novel, A Death in the Family won the author a posthumous 1958 Pulitzer Prize. Agee is also known as a co-writer of the book Let Us Now Praise Famous Men and as the screenwriter of the film classics The African Queen and The Night of the Hunter. Walker Evans (November 3, 1903 - April 10, 1975) was an American photographer and photojournalist best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. He said that his goal was to make pictures that are "literate, authoritative, transcendent". His works are in the permanent collections of major museums and have been the subject of retrospectives at the Metropolitan Museum of Art or the George Eastman Museum. In the summer of 1936 the business magazine Fortune operated by Henry Luce dispatched staff writer James Agee and photographer Walker Evans, on loan from the Farm Securities Administration, to Alabama to examine the economic plight of white cotton tenant farmers. Agee's report was a powerful indictment of the Southern economic system, but the story was killed by the magazine. One might surmise that Fortune found the piece too critical of Southern capitalism, but researchers have been unable to locate any correspondence explaining why this indictment was rejected for publication. Although Agee's 1936 trip to Alabama did provide important research for his 1941 book on sharecroppers, Let Us Now Praise Famous Men, the original manuscript was part of the writer's papers discovered by his daughter in Agee's Greenwich Village home. The James Agee Trust then transferred this collection to the University of Tennessee Special Collections Library where the typescript "Cotton Tenants" was found. In 2012, approximately one-third of the document was published in The Baffler by editor John Summers who worked with Melville House to release the complete document. Fifty years after Agee's death, this trove of his manuscripts turned out to include a typescript labeled Cotton Tenants. Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here in full for the first time, and accompanied by thirty of Walker Evans's historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee's dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. Walker Evans (Photographer) (illustrator).…