9781601822086 - shakespeare, shamans, and show biz: an impolite guide to theater history von kaplan, david (3 Ergebnisse)
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 37,94
EUR 13,96 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In.
- Weitere Bilder
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 44,11
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Gebunden. Zustand: New. Über den AutorDavid Kaplan is the author of Five Approaches to Acting. He directs plays and teaches classes worldwide. Putting theory into practice, he refines theory. He has taught in Russia, Hong Kong, Ankara, Mexico, Italy, and t.
- Weitere Bilder
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 54,71
EUR 63,06 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - In twenty-four chapters David Kaplan offers ideas, opinions, theories, and facts for someone who wants to be a theater artist today in hopes of creating their own vision of theater-making, one informed by, and in the context of, theater history. This book explores what theater artists have done befo…re and what they, inspired by history, might do next.A non-lineal theater history, Shakespeare Shamans, and Show Biz explores theater as a shaman's vision, as a storyteller's heritage, as religious propaganda, as a mirror of life, as a critique of society, as a prompt for hard laughter, as fantasy, and as national epic, with plays as different (and the same) as the writings of August Wilson, Gertrude Stein, Shakespeare, and people who never made it into history.Each chapter explores a particular theme: 'The Middle Ages as a State of Mind,' 'Commedia dell'arte and Molière,' 'Shakespeare-To Begin,' 'Euripides-Forever Modern,' 'Aeschylus-Writing in an Age of Certainty,' 'Sophocles and Aristotle-Defining Tragedy,' 'Greek Comedy,' 'Roman Theater,' 'Asian Classics and Rules' (Bunrakuken, Chikamatsu, Zeami), China-The Pear Garden and the Red Pear Garden,' 'Neoclassic Theater and Why There is Such a Thing,' 'Shakespeare's Classic,' 'Bad Boys Breaking the Rules' (Brecht, Ibsen, and Jarry), 'Inside Outside' (Ibsen, Strindberg, Turgenev, Stanislavsky, Chekhov, Antoine), 'Beyond Illusion' (Appia, Craig, Poel), 'Melodrama and Popular Theater in America' (Aiken, Brice, Cohan, Stone, Tyler, Bert Williams), 'American Classic: Eugene O'Neill and Martha Graham,' 'Expressionism to Epic' (Brecht, Meyerhold, O'Neill, Piscator, Treadwell), 'American Agitprop: Overt and Disguised' (Adler, Clurman, Flanagan, Kazan, Le Gallienne, Miller, Odets, Robeson, Strasberg, Wilder), 'Poetry of the Theater' (Artaud, Breton, Cocteau, Ionesco, Kharms, Stein), 'Personal Mythology' (Genet, Lorca, Mishima, Strindberg), 'Two Masters: Samuel Becket and Tennessee Williams,' 'Theater of Identity' (Baraka, Ensler, Kramer, Wilson), and 'Missing from History' (Bonner, Fornés, Kennedy, Maeterlinck).
