Anbieter: ThriftBooksVintage, Tukwila, WA, USA
Erstausgabe
Hardcover. Zustand: Good. No Jacket. First Edition. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Dust jacket missing. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery. Secure packaging for safe delivery.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 68,28
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 158 pages. 12.00x10.00x1.00 inches. In Stock.
Anbieter: Big Star Books, Santa Fe, NM, USA
Erstausgabe Signiert
hardcover. Zustand: Good. First Edition. Signed by LaToya Ruby Frazier. First edition. Hardcover, no jacket. Clean, unmarked, tightly bound. Moderate exterior wear. Some sunning to cloth. Reliable customer service. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.). Signed.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 72,54
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 158 pages. 12.00x10.00x1.00 inches. In Stock.
EUR 52,98
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Offers an incisive exploration of the legacy of racism and economic decline in Americas small towns. This book considers the impact of that decline on the community and on author s family, creating a statement both personal and truly politicalan interventio.
Buch. Zustand: Neu. Neuware - In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family-and her mother in particular. As Frazier says, her mother is 'coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse.' In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large.