Isbn: 9781592537341 - sketchbook: conceptual drawings from the world's most influential designers and creatives (3 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Rockport Publishers, 2011

    1592537340 / 9781592537341

    • Softcover

    Anbieter: Weird Books, Napa, CA, USAWeird Books

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Befriedigend

    EUR 14,91

    EUR 5,86 Versand 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    paperback. Zustand: Good. Previously read with typical light wear. Good text with reading wear to cover and edges. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders.…

  • Sprache: Englisch

    Verlag: Quarto Publishing Group USA, 2011

    1592537340 / 9781592537341

    • Softcover

    Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Gut

    EUR 16,62

    EUR 5,90 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

    Zustand: Very Good. Reprint. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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    Sprache: Englisch

    Verlag: Rockport Publishers, 2011

    1592537340 / 9781592537341

    • Softcover

    Anbieter: West Cove UK, Wellington, Vereinigtes KönigreichWest Cove UK

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Gut

    EUR 29,11

    EUR 30,62 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

    Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent unused condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> CREATIVES THE WORLD OVER use nearly identical hardware, software, and cuts of typefaces. Design magazines, annuals, and blogs all present the work respectfully laid out and captioned as if a museum piece. Often divorced from the proj- ects' history or any sense of context, a designer can appreciate the style of the work but only wonder at the process of its creation. By appear- ing (often simultaneously) across these media, the work of a celebrated few immediately informs the choices of thousands; resulting in a deluge of similar-looking work in which the originator's rationale is hidden. In this comput- erized environment, which has so many obvious benefits, the eventual disappearance of physical sketching from the creative's work life seemed inevitable and yet, sketching in some form remains an integral part of the creative process. Why? For one thing, privacy. A sketchbook allows secrets. A designer's joy at receiving a (SP).…