Anbieter: Dream Books Co., Denver, CO, USA
Zustand: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: MP-ALB University of Alabama, 1999
ISBN 10: 1573660752 ISBN 13: 9781573660754
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 32,55
Anzahl: 4 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. "Double or Nothing" challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting. Num Pages: 320 pages, illustrations. BIC Classification: FA. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 222 x 146 x 18. Weight in Grams: 544. . 1999. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 47,61
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 267 pages. 8.75x5.75x0.75 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 38,23
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Über den AutorRaymond Federman was born in 1928 in France. His novels have been translated into fourteen languages and include Smiles on Washington Square, winner of the American Book Award. He lives in San Diego.Klapp.
Sprache: Englisch
Verlag: University Of Alabama Press Apr 1999, 1999
ISBN 10: 1573660752 ISBN 13: 9781573660754
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Double or Nothing is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.