Isbn: 9781568985329 - george tsypin opera factory: building in the black void (3 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition; First Printing. Hardcover. 4to. Princeton Architectural Press, New York. 2005. 224 pgs. Illustrated throughout. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Forget everything you think you know about contemporary theater design. The explosive work of Russian-born George Tsypin is changing the way audiences see theatrical productions of all kinds, and it will alter the way you think about what you see on a stage. Thanks to Tsypin, the days of stark, minimalist, almost empty sets are over. His maximalist creations fill the theater's black void with a fevered combination of elements, referencing everything from Russian Constructivism to the works of Frank Gehry and Zaha Hadid. Set design, under his direction, is a unique form of architecture, a celebration of structural and sculptural possibility. EB; 1 x 12 x 9.1 Inches; 224 pages.…

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. This is a very good hardcover copy with a very good dust jacket. Signed with a silver marker or pen, by Grigory Revzin, on the front black endpaper. Not inscribed to anyone, just signed. Stated first edition. Texts by Julie Taymor and Grigory Revzin. Illustrated throughout in color. 12" high X 9" wide, 223 pages. A beautiful signed copy of the first edition. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Author. …